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Overall, I am disappointed, though not surprised, by the negative criticism of this movie.

Indeed, this criticism exceeds the offering of alternative viewpoints and the expression of other cinematic possibilities and sinks into the realm of bitter invective.

So many armchair critics are currently competing with avid Tolkien, Jackson, and movie fans alike in order to espouse the true value of Peter Jacksons landmark movie trilogy.

For it is a landmark event in cinema history based on its sheer size and careful attention, praise and evisceration apart.

The issue that greatly irritates me and pushes me to write is that many of the negative reviewers on this website have such limited room in their imagination that they cannot conceive of a world outside their own narrow framework.

I find that a most sad reality in light of the legacy of Tolkien, Jackson, and all good story-tellers -- to create, to engender, and to nourish the growth of any and all imaginative ventures.

The problem with imagination is that it is an individual event, a unique subjective experience that a single person experiences completely alone.

Those who enter into the realm of Art, Fiction, Fantasy, and any degree of Story-telling agree (willingly or no) to take that personal act of creation and primal nature and share it with the community of human beings, each of whom has his or her own imaginative context.

It is a bold act of sacrifice, self-confidence, and faith (spiritual, one could argue) to thrust the contents of ones subjective reality into (to borrow from Douglas Adams) the Whole Sort of General Mish Mash.

People who do so deserve respect for the mere creative act, the ability to foist forward what they believe is true.

From Homer to Bill OReilly, this concept of personal creation, what Tolkien called Sub-Creation, is the essence of modern human existence, and we owe it to each other to respect the right to creation history has granted us.

Therefore, in defense of both Tolkien (whom some on this website have maligned) and Jackson (whom many have maligned), I forward that both are imaginative creators in their own right, with different and completely acceptable offerings to the world.

Those who cannot tolerate either for mediocre writing or atrocious film-making should offer forth their literary or cinematic offspring instead of cunningly-worded diatribes of their deep dissatisfaction with all that does not conform to their inner reality.

Then, we few who believe in and trust the creative ability of all will be able to see how those critical inner realities (so authoritative in exposition) match up with the rest of our perceptions.

Tolkien was an enormously talented, intelligent, and imaginative man, one whose stories, though unpolished by experience, still managed to attract a worldwide audience and devoted following with their luster.

Of course Tolkiens story is imperfect; of course Jacksons movies arent as full as we wish them to be.

Yamaha psr e413. Both have created and done so masterfully, with the intuitive grasp that is termed genius.

Tolkien would have had much at issue with Jacksons movies, where plot incongruities, lapsed character development, and visual splendor overshadow the philological and melancholic overtones of his book.

Jackson admits he finds much at issue with Tolkiens book, including a lack of clear character motivation, extended and largely extraneous dialog, and heightened language not suited for Hollywood.

But Tolkien, despite his perfectionist griping and loathing for any film version of his book, would respect Jackson for continuing the act of creation, for taking his modern-day mythology and spreading it to as many people as possible.

Jackson has taken the beauty, the scope, the complexity, the richness, and the loss that permeate Middle-Earth and shared those leitmotifs with the world.

Tolkiens characteristic niggling would have prevented any such attempt (even Jacksons), but in the end, his heritage lives on in beautifully conceived and executed films.

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